Walking Into Paintings

Moonlight in Monet

Last week, I showed Moonlight how to walk into paintings. That is a simple detachment once someone shows you how. When you are inside you can reach out to anyone looking at the work. You can reach them and speak to them. They won’t hear you with their senses but they will get your message. You can do that because works of art create their own psychic space, no more or less real than any other space. Some paintings do it better than others.

Not recommended! For excursions, I don’t think that I’d recommend The Scream. Not to Moon anyway.

You immerse yourself in the landscape, in the world of the painting, in its sounds, in its life. Moonlight learned where I go when I crave peace. I took her hand. We opened a book and stepped into a Monet. Dressed in white cotton. We wore straw hats tied with silk scarves. We carried parasols with Oriental patterns on them. In high-button shoes. We stepped softly through an infinite Monet. We crossed a footbridge. We paused to languidly gaze at waterlilies. We watched the fishing boats go out at sunrise. The light played through radiant clouds on stacks of hay and sparkling cathedrals. How wonderfully it changed throughout the day. We floated on the clouds reflected in lily ponds. We were pink and blue reflections on ripples of water. We laughed. Moonlight was radiant with joy. I showed her that the place she often saw in her visions was real. It was tactile. It was aural. We felt the breezes and we became breezes. We felt the dew. We became the sparkling droplets on dark green leaves. We felt the warmth of the sun. We became pure lights. We radiated warmth. We gave life to flowers. To the pond. To each other. All of it was real. We wore long dresses of white cotton. We were flowers of every possible color. We held hands. We carried parasols. We flew kites. We walked across the meadow. In white cotton. In high button shoes. With silk scarves. We danced. We laughed. I shared the secret of the Muses with Moonlight. With love.

Last night we walked into Starry Night. Moon rearranged some stars but when we left, we tidied up. Everything was just as we found it. Floating on music is another acquired skill. I wanted to show Moonlight how to float on Baroque music. On Enya’s music. On Sarah McLachlan’s music. On Loreena McKennitt’s music. Finally I believe that some humans may be capable of Soul Ballooning. Back home Soul Ballooning is a team sport.

Moon rearranged some stars but when we left, we tidied up.

I wrote this in 2001. It came to me in a daydream from the unusual (for me) point of view of one of the women in a famous Monet painting of two women in a meadow. There’s a print of it in my doctor’s waiting room where the daydream happened.
Two women in a meadow I used two characters from a story I had already written. The speaker is the Melpomene the muse of tragedy. In my story she was a wholly alien life-form. This wasn’t written as poetry. It’s just an evocative meditation.

Countless works of art have been truly inspired and that inspiration stays in association with the work and is mirrored in the heart and the mind of the receptive viewer. (Otto Rogers)

When you start a painting, it is somewhat outside you. At the conclusion you seem to move inside the painting. (Botero)

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